To make the chromatic aberration visible, open up the pre-composition for it and nudge each of the layers to the left or right by a few pixels, until you can see all three colors. Move the Find Edges layer above chromatic aberration pre-composition, then set the Track Matte of the pre-comp to Luma Matte. Now we’re going to make another duplicate of your original footage and apply the effect Find Edges to it, then invert Find Edges so that the edges are white. Then set the blend mode for all three layers to Add and precompose them. Apply this effect to the other two layers, but set one to green and one to blue. Set it so that green and blue are off and only red is on. Apply the Set Channels effect to one of them. Duplicate the video layer three times, above the original layer. ![]() We’re going to borrow a lesson from our Glitch Effects tutorial, and separate the video into its three RGB channels. Somewhere between 10 and 50 will probably look best.Īnother key to the VHS look is chromatic aberration, but for the best look you won’t want to apply it to everything. Push the amount up to around 100, then adjust the radius until it looks good. This is going to do exactly what we need by creating a sharp edge around individual objects. Next up we’ll be adding the Unsharp Mask effect. You want to get a little bit of blur but still be able to see what’s happening in your footage. Keep the radius pretty low, you won’t need a very high setting here. We used Gaussian Blur on the Super 8 example to get a nice smooth blur, we don’t necessarily want a smooth blur for our VHS look. Let’s start by creating an adjustment layer for these effects. One of the most noticeable things about VHS footage is that objects are both a bit blurry but also have sharp edges, so we’re going to add some blur and sharpen effects. This was still the era of 4:3 aspect ratio, so when making your composition, make sure to set it to something like 1440×1080.ĭrop in your main footage. Next we’re going to go a little bit more modern, but still vintage, and recreate a VHS film look. Once you’re done you’ll probably want to play around with the color and contrast until it looks sufficiently old. Now change the Track Matte mode of the black solid to Alpha Inverted, and you should get a nice rounded frame that looks reminiscent of old film.Īnd there is your Super 8 film look. Somewhere between 100 and 200 should be good. Now we’re going to dive into the transform settings for that rectangle and make the edges round. Then above that, create a black rectangle. If you’d like to make your own simple frame, you can do that too. ![]() For burns or other effects, you may need to change the blending mode, probably to Screen. Just drop on the overlay above everything else. Today I’m using a pack that I found on The Creative Herd called Super 8mm Overlay Assets. There are some great pre-made assets you can find online for free. ![]() Now unfortunately, there is no good way to easily create the iconic Super 8 film mattes and flares that surround actual Super 8 footage. This is really going to depend on the footage, so play around with what looks best. Drag Gaussian Blur onto the layer and set it to between 2 and 10. Super 8 film has a soft look to it, and modern digital cameras are far too sharp and crisp. You may need to adjust the intensity of the grain, but all of the other settings should be fine at their defaults. There are a variety of camera types to choose from, but you’ll have good results no matter which one you prefer to use. Search the Effects & Presets panel for Add Grain, and drag that onto your clip. These might not technically be LUTs inspired by 8mm footage, but they will approximate the vintage look pretty well. If the color grade isn’t quite looking right to you, there are a number of vintage Kodak and Fuji LUTs that come with After Effects. Don’t go too intense here, but find a place that looks good on your footage. Now moving into the Creative tab, we’re going to emulate the blue-green shadows and yellow-range highlights that Super 8 was known for. In the Basic Correction tab, push down highlights quite a bit and slightly lower shadows. Super 8 film had a very flat look, so we’re going to recreate that feel. Search for and add Lumetri Color to your clip.
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